Monday, March 31, 2008

	DJ Technic / artists (D)
Real Name:	Glenn Brand
URLs:	http://www.djtechnics.net/ http://www.myspace.com/technicsthedj http://www.baltimoreclubtracks.com/
Aliases:	DJ Technics, Glenn Brand
Name Variations:	All \|DJ Technic\| DJ Technics

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Motorama - Supercustomspecial (2005)

Motorama

Supercustomspecial (2005)

Genre: indie

Tracklist:

1. Mr. Blackout
2. Shirk
3. Sin Pin
4. Livin it
5. Just Like You
6. Give N Take
7. Cheap N Easy
8. Found on Road Dead
9. Mix it Up
10. C'mon Baby
11. Windy the Clown
12. Muddy Drowning

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Motorama

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Sterac Electronics - Keep on Running MM106 (2004)

Sterac Electronics

Keep on Running MM106 (2004)

Genre: techno

Tracklist:

1. Keep on Running
2. Destination Reached
3. Next Destination dub

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	Sterac Electronics / artists (S)
Real Name:	Steve Rachmad
URLs:	http://www.steverachmad.com
Aliases:	A Scorpion's Dream, Adverse Match, Black Scorpion, Continuous Cool, Didato, Dreg, Esteban del Monte, Flexible, Ignacio, Lonely Guy, The, Norma G., Parallel 9, Publiq Space, Rachmad Project, Scorp, Sterac, Steve Rachmad, Tons Of Tones, V.C.P.
Name Variations:	All \|Sterac Electronics\| Sterac Electronix

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John Mayall - Road Show Blues (2003)

John Mayall

Road Show Blues (2003)

Genre: blues

Tracklist:

1. Why Worry
2. Road Show
3. Mama Talk to Your Daugther
4. A Big Man
5. Lost and Gone
6. Mexico City
7. John Lee Boogie
8. Reaching for A Mountain
9. Baby What You Want Me to Do

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	John Mayall / artists (J)
Real Name:	John Mayall
Profile:	British blues and rock singer born on November 29, 1933.
URLs:	http://www.johnmayall.com/ http://www.johnmayall.net/
In Groups:	John Mayall & The Bluesbreakers
Name Variations:	All \|John Mayall\| J Mayall\| J. Mayall\| Mayall

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John Mayall bio:

The elder statesman of British blues, it is Mayall's lot to be more renowned as a bandleader and mentor than as a performer in his own right. Throughout the '60s, his band, the Bluesbreakers, acted as a finishing school for the leading British blues-rock musicians of the era. Guitarists Eric Clapton, Peter Green, and Mick Taylor joined his band in a remarkable succession in the mid-'60s, honing their chops with Mayall before going on to join Cream, Fleetwood Mac, and the Rolling Stones, respectively. John McVie and Mick Fleetwood, Jack Bruce, Aynsley Dunbar, Dick Heckstall-Smith, Andy Fraser (of Free), John Almond, and Jon Mark also played and recorded with Mayall for varying lengths of times in the '60s.

Mayall's personnel has tended to overshadow his own considerable abilities. Only an adequate singer, the multi-instrumentalist was adept in bringing out the best in his younger charges (Mayall himself was in his 30s by the time the Bluesbreakers began to make a name for themselves). Doing his best to provide a context in which they could play Chicago-style electric blues, Mayall was never complacent, writing most of his own material (which ranged from good to humdrum), revamping his lineup with unnerving regularity, and constantly experimenting within his basic blues format. Some of these experiments (with jazz-rock and an album on which he played all the instruments except drums) were forgettable; others, like his foray into acoustic music in the late '60s, were quite successful. Mayall's output has caught some flak from critics for paling next to the real African-American deal, but much of his vintage work -- if weeded out selectively -- is quite strong; especially his legendary 1966 LP with Eric Clapton, which both launched Clapton into stardom and kick-started the blues boom into full gear in England.

When Clapton joined the Bluesbreakers in 1965, Mayall had already been recording for a year, and been performing professionally long before that. Originally based in Manchester, Mayall moved to London in 1963 on the advice of British blues godfather Alexis Korner, who thought a living could be made playing the blues in the bigger city. Tracing a path through his various lineups of the '60s is a daunting task. At least 15 different editions of the Bluesbreakers were in existence from January 1963 through mid-1970. Some notable musicians (like guitarist Davy Graham, Mick Fleetwood, and Jack Bruce) passed through for little more than a cup of coffee; Mayall's longest-running employee, bassist John McVie, lasted about four years. The Bluesbreakers, like Fairport Convention or the Fall, was more a concept than an ongoing core. Mayall, too, had the reputation of being a difficult and demanding employer, willing to give musicians their walking papers as his music evolved, although he also imparted invaluable schooling to them while the associations lasted.

Mayall recorded his debut single in early 1964; he made his first album, a live affair, near the end of the year. At this point the Bluesbreakers had a more pronounced R&B influence than would be exhibited on their most famous recordings, somewhat in the mold of younger combos like the Animals and Rolling Stones. Quite respectable it was too, but the Bluesbreakers would take a turn for the purer with the recruitment of Eric Clapton in the spring of 1965. Clapton had left the Yardbirds in order to play straight blues, and the Bluesbreakers allowed him that freedom (or stuck to well-defined restrictions, depending upon your viewpoint). Clapton began to inspire reverent acclaim as one of Britain's top virtuosos, as reflected in the famous "Clapton is God" graffiti that appeared in London in the mid-'60s.

In professional terms, though, 1965 wasn't the best of times for the group, which had been dropped by Decca. Clapton even left the group for a few months for an odd trip to Greece, leaving Mayall to straggle on with various fill-ins, including Peter Green. Clapton did return in late 1965, around the time an excellent blues-rock single, "I'm Your Witchdoctor" (with searing sustain-laden guitar riffs), was issued on Immediate. By early 1966, the band was back on Decca, and recorded their landmark Bluesbreakers LP. This was the album that, with its clean, loud, authoritative licks, firmly established Clapton as a guitar hero, on both reverent covers of tunes by the likes of Otis Rush and Freddie King, and decent originals by Mayall himself. The record was also an unexpected commercial success, making the Top Ten in Britain. From that point on, in fact, Mayall became one of the first rock musicians to depend primarily upon the LP market; he recorded plenty of singles throughout the '60s, but none of them came close to becoming a hit.

Clapton left the Bluesbreakers in mid-1966 to form Cream with Jack Bruce, who had played with Mayall briefly in late 1965. Mayall turned quickly to Peter Green, who managed the difficult feat of stepping into Clapton's shoes and gaining respect as a player of roughly equal imagination and virtuosity, although his style was quite distinctly his own. Green recorded one LP with Mayall, A Hard Road, and several singles, sometimes writing material and taking some respectable lead vocals. Green's talents, like those of Clapton, were too large to be confined by sideman status, and in mid-1967 he left to form a successful band of his own, Fleetwood Mac.

Mayall then enlisted 19-year-old Mick Taylor; remarkably, despite the consecutive departures of two star guitarists, Mayall maintained a high level of popularity. The late '60s were also a time of considerable experimentation for the Bluesbreakers, which moved into a form of blues-jazz-rock fusion with the addition of a horn section, and then a retreat into mellower, acoustic-oriented music. Mick Taylor, the last of the famous triumvirate of Mayall-bred guitar heroes, left in mid-1969 to join the Rolling Stones. Yet in a way Mayall was thriving more than ever, as the U.S. market, which had been barely aware of him in the Clapton era, was beginning to open up for his music. In fact, at the end of the 1960s, Mayall moved to Los Angeles. 1969's The Turning Point, a live, all-acoustic affair, was a commercial and artistic high point.

In America at least, Mayall continued to be pretty popular in the early '70s. His band was no more stable than ever; at various points some American musicians flitted in and out of the Bluesbreakers, including Harvey Mandel, Canned Heat bassist Larry Taylor, and Don "Sugarcane" Harris. Although he's released numerous albums since and remained a prodigiously busy and reasonably popular live act, his post-1970 output generally hasn't matched the quality of his '60s work. Following collaborations with an unholy number of guest celebrities, in the early '80s he re-teamed with a couple of his more renowned vets, John McVie and Mick Taylor, for a tour. It's the '60s albums that you want, though there's little doubt that Mayall has over the past decades done a great deal to popularize the blues all over the globe, whether or not the music has meant much on record. ~ Richie Unterberger, All Music Guide (from mp3.com)

Various Artists - Warung (EU Vou Torcer Anttrack) (2007)

Various Artists

Warung (EU Vou Torcer Anttrack) (2007)

Genre: techno

Tracklist:

1. Warung (Kn Japanese remix)
2. EU Vou Torcer
3. Anttrack

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Various Artists - Urban Trance volume 1 (2007)

Various Artists

Urban Trance volume 1 (2007)

Genre: trance

Tracklist:

1. Luz de Sol (Will B Njb mix)
2. Stella
3. Franatic (Sunover mix)
4. Move Me (Kaste mix)
5. Full Throttle
6. Harmonic (Eluna vs Jon O'Bir remix)
7. First Time (Funabashi remix)
8. Blinding Truth
9. World Gone Mad
10. Torrent (Leon Bolier mix)
11. TRI State (Robert Nickson mix)
12. Fallen Too Far
13. Close Horizon (Giuseppe Ottaviani mix)
14. Another You Another Me
15. What You Need (NC in Love with Prog mix)
16. Communication (part 3)
17. The Future
18. Bells of Tiananmen (Airbase remix)
19. Black Smoke
20. Harmonic
21. Beautiful People
22. Y68 (Guiseppe Ottaviani remix)
23. Hold Me Till the End (Ronski Speed mix)
24. Always A Fool

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Royce da 59 - Death is Certain (2004)

Royce da 59

Royce da 59 bio:

Whenever anyone mentions the name of Detroit rapper Royce Da 5'9," a whole list of other names surround it. First, people mention his passing resemblance to LL Cool J. Others might know him as the guy who teamed up with teen singer Willa Ford on her 2001 hit "I Wanna Be Bad." He is also known as the rapper who got a major boost from legendary producer DJ Premier, who produced his 2000 hit "Boom." Mostly, though, people associate him with Eminem. The pair have rolled together since their early days in Detroit and have worked together on several occasions. With the release of his 2002 album, Rock City, Royce Da 5'9" hopes to finally make a name for himself. ~ Jon Azpiri, All Music Guide (from mp3.com)

-

Various Artists - House Charts volume 3 (2006)

Various Artists

House Charts volume 3 (2006)

Genre: house

Tracklist:

1. On the radio
2. Living on Video
3. Catch
4. Thunder in My Heart Again
5. More than A Feeling
6. No Easy Way out
7. Radio Waves
8. Deros Illusion
9. Tainted Love (DJ Prom radio mix)
10. Say What You Want (Ian Carey dub radio mix)
11. S. O. S. (Hi Tack radio mix)
12. Gypsy Woman 2006 (Disco Boys remix edit)
13. Ill Be There
14. Work this Pussy
15. Young and Beautiful
16. Who's Your Daddy
17. B-B-B-Baby
18. Let's Get Down (Full Intention radio mix)
19. Bounce
20. Your Body
21. Some Day
22. Waterman
23. Morning Light 2006 (Jerry Ropero radio mix)
24. Get Over Here (Axwell radio mix)
25. Take Off
26. Take Me Away (Stonebridge radio mix)
27. Girls (Sidneys Electro Break Down mix)
28. I'm an Addict
29. Live for One Day (Haji and Emanuel radio mix)
30. Soulshakin (vocal mix)
31. Set Me Free (Snappy mix radio Cut)
32. Freak U Up (Joia dub mix)

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Sunday, March 30, 2008

Osictone - Flowerfields (2007)

Osictone

Flowerfields (2007)

Genre: house

Tracklist:

1. Flower (Original mix)
2. Icecloud (Original mix)
3. Seasight (Moonlight Remake)

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	Osictone / artists (O)
Real Name:	Plamen Marinov
Profile:	Plamen Marinov produces different kinds of electronic music under different monikers. He opened his label company 'Vision Sound Productions' at the beginning of 2007, and operates several labels, like Invision Recordings, Controne, Orgasmik, Undersound, Tokomat, Phat Breakz Records, Ghettoecho. He also runs booking agency and distribution company under the initials 'VSP'. At the beggining he released a couple ep's for different netaudio labels - Tonatom, Camomille, Kahvi Collective, Kahvi Records, Boltfish Recordings and his own Controne Records under the name Sektor. In 2006 Plamen opened label for deep, progressive electronica, called Invision Recordings and soon after that, several dauther labels for different kinds of electronic music, like Orgasmik - label for electro house, Tokomat - label for techno, Undersound - label for Tribal, Tech, Funky house music, together with his friends Kozin/Escodero/Thomas. He releases progressive, deep house under the name Osictone, and his first vinyl - 'Seasight'' on Invision Recordings were charted n.1 by James Holden in October 2007. He also produces electro and electro house music under that moniker, and techno music under the name 'Sfum'. Also uses several other artists names for different projects.
URLs:	http://myspace.com/osictone http://invisionrecordings.com http://orgasmikrecords.com

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Various Artists - Us RnB promo volume 18 (2007)

Various Artists

Us RnB promo volume 18 (2007)

Genre: r&b

Tracklist:

1. On the Hotline (remix)
2. Winning of Women
3. Trunk Bangin
4. World Wide Woman (Rodney Jerkins Prod)
5. All on You
6. Makeyouhappy (Warryn Campbell Prod)

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Sensurreal - Passaic Wonder (2002)

Sensurreal

Passaic Wonder (2002)

Genre: trance

Tracklist:

1. Passaic Wonder (Alex Flatner remix)
2. Passaic Wonder (Original version)
3. Passaic Wonder (Sensurreal remix)

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	Sensurreal / artists (S)
Real Name:	Gert-Jan Bijl, Dirk Jan Hanegraaff
Aliases:	Artic Dreams, Bone People, The, Devotar And Sativa, Eyes Up Movement, H'am * Damn, Juice, The, Massivemen, Perez & Dowell, Soulstar, Sunshower
Members:	Dirk-Jan Hanegraaff, Gert-Jan Bijl

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Sensurreal bio:

Dutch techno duo Gert-Jan Bijl and Dirk-Jan Hanegraaf have recorded under the names Marvo Genetic, Sunshower, It's Thinking, and most often as Sensurreal, releasing mostly 12-inch singles (and a pair of full-lengths) on such labels as Beam Me Up!, Prime, Deviate, and most recently on Kirk Degiorgio's Op-Art imprint. Sensurreal's melodic brand of funk-fueled techno may sound closest to countryman Jochem Paap's (of Speedy J, formerly of Beam Me Up!, which folded in 1996), but their closest stylistic affinity lay probably with Stasis, Degiorgio's As One project, and Mark Pritchard and Tom Middleton's Link and Reload material. Sensurreal draw similarly from a rhythmic backbone of funk, jazz, and soul -- a tradition tracing to their Rotterdam home, where soul and R&B are the pop musics of choice. Although Hanegraaf grew up playing in small garage-rock bands, his waning interest in the limitations of acoustic based music was intensified by Bijl's enthusiasm for Chicago house and the encroaching U.K. acid-house movement, to which he constantly exposed his partner via underground mixtapes and rare imports of Marshall Jefferson, Farley Jackmaster Funk, and Mr. Fingers tunes. Bijl grew up in the outlying Rotterdam suburb of Puttershoek, dabbling in crude tape-deck mixing and pirate radio (if a broadcast radius of two blocks can be called pirate radio) since the age of 11. Increasingly immersed in electronic dance music -- both through radio broadcast as well as Rotterdam's exploding club scene -- Bijl and Hanegraaf finally began piecing a studio togther in 1989, toward the end of high school (first acquisitions included an Alesis MMT 8 sequencer, a Yamaha DX-100 synthesizer, and a Roland S-10 sampler).

Bijl and Hanegraaf's first single was released in 1992 under the name Sun Shower, and was followed by releases on Malego, Deviate, Paap's Beam Me Up!, and Prime under the names It's Thinking, Marvo Genetic, and (starting in 1994 with their debut LP, Never to Tell a Soul) Sensurreal. The group released two full-length albums on Beam Me Up! (Soul, as well as the follow-up, The Occasional Series, a sort of live postcard of the group's 1994 European tour) before the label folded in 1996, leaving the band to shop their material. They eventually landed with Degiorgio's Op-Art label in 1997, which the acclaimed three-track EP NewBrandDesign appearing on the label early that year. Bijl has also released a fair amount of material as a soloist (the pair's studio resides at his home, leaving him to noodle during Sensurreal's downtime), counting EPs under his Gerd alias on Beam Me Up!, Pork, and Universal Language among his credits. ~ Sean Cooper, All Music Guide (from mp3.com)

Alex - E-Discipline and Robots (2007)

Alex

E-Discipline and Robots (2007)

Genre: house

Tracklist:

1. E Discipline and Robots (Original mix)
2. E Hot Line (Original mix)

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Alex

/ artists (A)

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The Loose Cannons - I Like it When Ya (2004)

The Loose Cannons

I Like it When Ya (2004)

Genre: club

Tracklist:

1. I Like it When Ya (Original mix)
2. I Like it When Ya (Jungle Brothers radio edit)
3. I Like it When Ya (Mark Ronson remix)
4. I Like it When Ya (Moto Blanco vocal)
5. I Like it When Ya (Moto Blanco dub)
6. I Like it When Ya (instrumental)
7. I Like it When Ya (acapella)

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Saint Privat - Riviera (2004)

Saint Privat

Riviera (2004)

Genre: latin

Tracklist:

1. Rokoko
2. Pan am 009
3. Nothing to Lose
4. Tous Le Jours
5. Mille Baci
6. Gone with the Wind
7. The Girl from Ventimiglia
8. Bach En dub
9. September Song
10. Good Bye Honeymoon
11. Dolcissimi

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	Saint Privat / artists (S)
Real Name:	Klaus Waldeck, Valérie Sajdik
URLs:	http://www.saintprivat.com http://www.myspace.com/saintprivat
Members:	Klaus Waldeck, Valerie Sajdik

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Reapa - Gpk (2005)

Reapa

Gpk (2005)

Genre: drum&bass

Tracklist:

1. Vector Sigma
2. Percocet Nightmare (Bad Ace Inc remix)

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George Fullwood and Soul Syndicate Band - Stop and Think it Over (1979)

George Fullwood and Soul Syndicate Band

Stop and Think it Over (1979)

Genre: reggae

Tracklist:

1. George Fullwood and Soul Syndicate Band-Stop and Think it Over
2. Stop and Think it Over version

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Nexus - In Lautschrift (2004)

Nexus

In Lautschrift (2004)

Genre: rap

Tracklist:

1. Verdammt
2. Schoene Alte Zeit
3. Zuendet Die Blunts an
4. Zwischen Den Zeiten
5. Absturz
6. Worte Wie Feuer
7. Himmel
8. Leb in Den Tag
9. Denk Zuruek
10. Bin Ich Du

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	Nexus / artists (N)
Real Name:	Michel Pollen
Aliases:	Angel IQ, Dalucia, Download (2), Eden's Ambition, Kantini, Michel Pollen, Pitcher, The, Refresh (2), Silverblue, Sticks, Syntone, Traffic (4)